Enfin le cinéma ! Magazines The evidence of the mobility

The evidence of the mobility of the world or the flow of time is questioned and analyzed through the prism of certain cultural motifs such as the bustle of the city or the perpetual undertow of the waves

that of the surrealist group

He then drew very large formats and used an old Renaissance technique neglected by contemporary painters: silverpoint

united and inseparable twins

le grand disciple de Maître Eckart et de Jacob Böhme

Enfin le cinéma ! Magazines The evidence of the mobilityCatalogue of the exhibition Finally the cinema! at the Muse d'Orsay. At the dawn of the 20th century, cinema was as much, if not more, a way of appropriating the world, bodies, and representations, as it was a machine or a medium. A new, eminently social and popular perspective, it was the product of an urban culture fascinated by the movement of beings and things and eager to make "modernity" a spectacle. No sudden rupture or violent revolution,